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Summary
As a fable of Graeco-Roman Hollywood and a true American icon , Humphrey Bogartwas best known for his work within the celluloid noir writing style . While film noir was a corporate terminal figure that every spectator has a slightly different definition of , it was most democratic during the 1940s and fifties and was often categorized by misanthropical attitudes , a ignominious - and - ashen style , and crime stories ask hard - boil detective , cunning femme fatales , and convoluted but engrossing narratives . Bogart was known for these kind of films as he expertly played Hero and villains in these timeless classics of the Hollywood studio apartment organisation .
Bogart ’s feature article pic career began in the 1930s , and before long , he made a name for himself with noir roles for acclaimed directors like John Huston and Howard Hawks . As a leading military personnel , Bogart star in some of thebest pic noirs of all fourth dimension , likeThe Big SleepandThe Maltese Falcon , and often co - starred with his married woman , Lauren Bacall . A true titan of the literary genre , Bogart ’s incredible charisma and impressive screen front made him the quintessential film noir starand cement his reputation among the keen actors who ever lived .
20Midnight (1934)
Humphrey Bogart as Gar Boni
Cast
Midnight , directed by Chester Erskine , follows Edward Weldon , whose role as panel foreman contribute to Ethel Saxon ’s death sentence . Concurrently , Weldon ’s daughter Stella confesses to the murder of her lover , the gangster Garboni , raise complex questions of justice and morality .
19Tokyo Joe (1949)
Humphrey Bogart as Joseph ‘Joe’ Barrett
Tokyo Joe is a post - World War II film featuring an American stager ’s return to Tokyo , where he attempts to reconnect with his past life . As he navigate the metropolis , he encounters air pressure from both criminal component and police force enforcement , perplex his movement to restore his former being .
As just one of many films where Humphrey Bogart played a World War II old-timer , Tokyo Joetold the storey of an American in post - WWII Tokyo get between the authorities and criminals . Bogart portrayed Joe Barrett in a function that played into his hard - living repute as a veteran assay to plunk up the pieces of his pre - war bar - base and gambling life . Tokyo Joewas an gratifying picture made well after Bogart had become a star but break down to live up to his just achievements from this earned run average .
18Conflict (1945)
Humphrey Bogart as Richard Mason
Conflict is a 1945 film directed by Curtis Bernhardt , star Humphrey Bogart as Richard Mason . The history go around around Mason ’s intricate plan to extinguish his wife so he can pursue a relationship with her baby . The secret plan weaves suspense and psychological stress amid themes of betrayal and illusion .
While Humphrey Bogart was often the quintessential photographic film noir poor boy , inConflict , viewers witness him in a nefarious good turn in a taradiddle about a humankind who polish off his wife . Conflictwas one of five film where Bogart play diametric Sydney Greenstreet , which also includedCasablancaandThe Maltese Falcon , but was the only one where it was Bogart and not Greenstreet who played the corrupt person or baddie . WhileConflicthit all the right-hand notes for a compelling film noir , it bomb to leave a lasting impact on the music genre .
17The Two Mrs. Carrolls (1947)
Humphrey Bogart as Geoffrey Carroll
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An creative person forms an bond with a cleaning woman on holiday in the body politic . As the family relationship uprise , his behavior and info about his past cause her increasing concern .
Malice , murder , and mystery were involved in the story ofThe Two Mrs. Carrolls , which starred Humphrey Bogart as the painter Geoffrey Carroll , a married man who had an affair with Sally Morton ( Barbara Stanwyck ) while on vacation . With classic film noir musical theme of deceit and suspicion , The Two Mrs. Carrollswas a dishonestly creepy-crawly entry in Bogart ’s filmographythat has maintain its suspenseful baron to this day . With two notable stars at the helm , The Two Mrs. Carrollswas a veridical treat for lovers of film noir .
16Sirocco (1951)
Humphrey Bogart as Harry Smith
Sirocco , directed by Curtis Bernhardt , is a picture show set in 1925 Damascus during the Syrian revolt against French occupation . Humphrey Bogart stars as Harry Smith , a mystifying American arms dealer mire with gunrunners , navigate the perilous political landscape and his own roily alliance .
Siroccowas a thriller set in Damascus in 1925 that mime many of the elements that madeCasablancasuch a success and blend them with the nihilistic delusion of the film noir genre . Humphrey Bogart represent Harry Smith , a misanthropical American expatriate who got mix up in gunslinger smuggling for rebels during the 1925 Syrian insurgency against Gallic occupation . With an exotic fix and grapheme of equivocal morality , Siroccowas entertaining , butits strike law of similarity to one of the sterling films ever made systematically remind viewers that it was noCasablanca .
15They Drive By Night (1940)
Humphrey Bogart as Paul Fabrini
They tug By Night , directed by Raoul Walsh , follows Joe and Paul Fabrini , independent truck driver strain to keep their little transferral patronage afloat . As they confront challenges from distributors , competition , and debt accumulator , the brothers voyage the struggles of the hauling industry .
The famed starlet Ann Sheridan reunited with herSan Quentinco - star Humphrey Bogartfor the cinema noirThey get By Night , about two transport party hand truck driver trying to make a bread and butter during the Depression . With accusations of murder , carbon monoxide poisoning , and plenty of severely - boiled cliches , They Drive By Nightwas released asThe Road to Friscoin the United Kingdom . With element of clowning , Latinian language , and wedge - full of cataclysm , They Drive By Nightwas a concealed gem beloved by film aficionado .
14Knock On Any Door (1949)
Humphrey Bogart as Andrew Morton
An attorney defends a thug of murder , using the oppression of the slum to attract to the court .
Although director Nicholas Ray would produce his finest Humphrey Bogart film noir the following class withIn a Lonely Place , Knock on Any Doorwas a powerful courtroom film noir that addressed puerile delinquency . With Bogart as an lawyer represent a young hood accused of murder , Knock on Any Doorwas a thin veiled opus of social messagingand critique . WhileKnock on Any Doorwas criticized for its moralistic rhetoric , its biggest offspring was that , as far as film noirs go , it was pretty fair .
13The Enforcer (1951)
Humphrey Bogart as Dist. Atty. Martin Ferguson
The Enforcer , released in 1951 , stars Humphrey Bogart as Assistant District Attorney Martin Ferguson . He turn meticulously to pursue a ill-famed gangster , confront challenge as he prepares a case with the aid of the gangster ’s top deputy who is place to bear witness .
The Enforcerstarred Humphrey Bogart as a crusading district attorney who finally got a chance to take down crime boss Albert Mendoza if only he could get the right grounds . Told primarily through flashbacks , The Enforcerwas based on the genuine investigation of a radical of killers dubbed “ Murder Inc ” by the press(viaCrime Reads ) and assist popularise terms like ‘ contract ’ and ‘ hit ’ concerning organized crime . With plenty of suspense and superb fateful - and - clean cinematography , The Enforcerdelivered everything an consultation member could want from a film noirBogart mobster movie .
12The Desperate Hours (1955)
Humphrey Bogart as Glenn Griffin
The Desperate Hours , directed by William Wyler , follows the harrowing ordeal of a suburban family postulate hostage by escaped convicts . The family ’s must sail a tense standoff against the felon , led by Humphrey Bogart , in a suspenseful habitation invasion scenario . Released in 1955 , the motion picture explores report of concern and resilience .
As one of Humphrey Bogart ’s net roles , seeing him back with a picture show noir inThe Desperate Hourswas marvelous . Bogart himself said he viewed his character as a grown - up version of Duke Mantee , a theatrical role he toy almost 20 years before inThe Petrified Forest(viaClassic Film Noir ) , which connected this picture to his entire overarching career . With a story about three break loose convicts terrorise a suburban home base , The Desperate Hourshad plenty in common with previous Bogart pictures likeHigh Sierra , Key Largo , andWe’re No Angelsand added to his rich noir - filled filmography .
11Dead Reckoning (1946)
Humphrey Bogart as Capt. Warren “Rip” Murdock
Dead Reckoning is a 1946 film noir aim by John Cromwell , starring Humphrey Bogart and Lizabeth Scott . The film keep abreast a veteran who becomes sweep up in a complex web of slaying , illusion , and dual - crossing after seeking to clear his friend ’s name .
Dead Reckoningpaired Humphrey Bogart with the rising wizard Lizabeth Scott , who was playing a definitive noir femme fatale who seek to baffle Bogart ’s investigation and programme to avenge a friend ’s dying . Like so many other moving picture in this musical genre , Dead Reckoning’splot was unaffixed and often confusing , but it kept the suspense going throughout as a mystery story of fornication , deceit , and execution was unveiled . WhileDead Reckoningwon’t win any point for originality , it was still a extremely engrossing pic noir that boast the dynamic duo of Bogart and Scott .
Custom image by Yailin Chacon.
Midnight, directed by Chester Erskine, follows Edward Weldon, whose role as jury foreman leads to Ethel Saxon’s death sentence. Concurrently, Weldon’s daughter Stella confesses to the murder of her lover, the gangster Garboni, raising complex questions of justice and morality.
An artist forms an attachment with a woman on holiday in the country. As the relationship develops, his behavior and information about his past cause her increasing concern.
An attorney defends a hoodlum of murder, using the oppressiveness of the slums to appeal to the court.
Dead Reckoning is a 1946 film noir directed by John Cromwell, starring Humphrey Bogart and Lizabeth Scott. The film follows a veteran who becomes embroiled in a complex web of murder, deception, and double-crossing after seeking to clear his friend’s name.
