Harry Potter and the Prisoner of Azkaban
Summary
Harry Potter and the Prisoner of Azkabandirector Alfonso Cuarón explains the film ’s dissimilar depiction of Hogwarts . release in 2004 , the third film in the hitHarry Potterfranchisesees Daniel Radcliffe ’s Harry return to Hogwarts School of Witchcraft and Wizardry to continue his education , this time while the shoal deals with the escape of notorious condemnable Sirius Black ( Gary Oldman ) . The movie , which was a decisive and commercial-grade success , features a observably different ocular style to its two predecessors , including a big phylogeny for Hogwarts .
" I ca n’t do anything unless I have the freedom to do what I do . I wanted to debase things . Open up the universe . To feel that Hogwarts is adjust in a geographical place , where you’re able to have nature around your population , and to make your macrocosm one with that nature . And to create a geographic logic to Hogwarts .
" You hump , the Great Hall is here , and then the stairs are next to the Great Hall , and if you take the stairs you go to the sleeping accommodation … If you go to the Clock Tower , the hospital is a corridor off , and you could see the courtyard , and from there you see the bridge … and below that is Hagrid ’s hut , and the Whomping Willow on the other side , then the woods … "
Harry Potter & The Prisoner Of Azkaban Changes The Franchise For The Better
How The Third Film’s Influence Lived On
While the first two movies in the enfranchisement were filled with a sentiency of childlike wonder and flightiness , Harry Potter and the Prisoner of Azkabantakes the franchise in a darker direction . As theatrical role like Harry , Ron ( Rupert Grint ) , and Hermione go into their teen years , the world around is portrayed as a much more grown - up situation . The risk in the third film experience real and there are sequence that have distinct scene of horror to them , include theHarry Potter and the Prisoner of Azkabanending .
The central franchise baddie , Voldemort ( Ralph Fiennes ) , is n’t featured inHarry Potter and the Prisoner of Azkaban , but the new direction that the film lease the franchise in allows him to be presented in a much coloured mode in next films . Cuarón does n’t retort for any subsequent installments in the franchise and his film remains something of an outlier visually and in terms of its storytelling and tone . ButHarry Potter and the Prisoner of Azkaban ’s influence carries onand fundamentally charts the course forrader for the entire series .
It ’s been over a decennary since the Harry Potter movie series enclose up with Deathly Hallows Part 2 - what are the cast extremity doing now ?
Hogwarts ' coming into court and layout continues to evolve over the trend of the franchise , butsome of Cuarón ’s design and geography decisions live on . The location of Hagrid ’s ( Robbie Coltrane ) cabin in relation to Hogwarts , for example , remains relatively unchanged , as does the castling ’s more gothic architecture and the inclusion of a rickety wooden bridge across a gorge . While other directors would finally come in in and put their own stamp on the dealership , Cuarón for sure made a big impression withHarry Potter and the Prisoner of Azkaban .
Source : Total Film(viaGamesRadar )
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Harry Potter and the Prisoner of Azkaban : In Harry ’s third class at Hogwarts , he faces more complex magical challenges and encounters fright - inducing Dementors . The escape of the infamous sensation Sirius Black from Azkaban form a vestige over the school year , presenting newfangled threat and mysteries for Harry and his friends to unravel .
Harry Potter and the Prisoner of Azkaban: In Harry’s third year at Hogwarts, he faces more complex magical challenges and encounters fear-inducing Dementors. The escape of the notorious wizard Sirius Black from Azkaban casts a shadow over the school year, presenting new threats and mysteries for Harry and his friends to unravel.
